And jumpstart 2019 with some Chinese fiction. Specifically, Ge Fei’s The Invisibility Cloak, translated by Canaan Morse. My first 2019 book, well technically a novella, but I need to round up because Eldest read 44 books in 2018, the Good Wife 20, and the Youngest is reading up a storm since devouring Becoming late last month. Hmm, I wonder if Eldest and Youngest gave me six months of HBO for Christmas to distract me from the printed page #dastardly.
A rising tide raises all boats, so as I try to hang with the fam on the book front, I’m falling further beyond on The New Yorker. Ever catching up is probably hopeless. I’m onto this now, but I digress.
Ge Fei is a Chinese Ian McEwan, who I really, really like. Wonderfully clear; whacked out characters; compelling, suspenseful storylines. It was like spending another few weeks in China.
The back of book overview:
New wealth blossoms in today’s Beijing because everyone is lying to everyone else. Friends use friends, relatives cheat each other, and businessmen steal from one and all. Superficiality is the standard, and Mr. Cui knows it—in fact, he is drowning in it. The rich clients who buy his exquisite custom sound systems know nothing about music; his sister’s family is trying to trick him out of her unused apartment; his best friend takes advantage of and looks down on him. Desperate to escape this poisonous hypocrisy, the quiet artisan stakes his future on a job for a wealthy yet mysterious client who wants “the best sound system in the world.” This man, who has a mansion and an air of thinly concealed brutality, will drag Mr. Cui to the precipice of a new yet dangerous future.”
A central concept is connoisseurship. Unless it’s paired with arrogance, I always enjoy being in the presence of connoisseurs like Mr. Cui, an expert on high end sound systems. At one point, Cui secures a pair of the world’s nicest speakers, but he doesn’t tell his wife:
“Nor did I ever reveal their real value to Yufen. One day I came home from a delivery to find Yufen cleaning the speaker boxes with a goddam steel wood scrubber and White Cat disinfectant. She scrubbed hard to make them ‘look a little newer,’ and even put a huge fucking flowerpot on top of the each box. I almost fainted.”
More on the speakers:
“To keep the speakers in good working order and prevent the sound from deteriorating into fuzziness, I warmed them up once every two weeks or so, usually during the quite hours of the night. I’d pull out a recording of an Italian string quartet’s rendition of Mozart ( my favorite composer to this day), or Walter Gieseking playing Ravel or Debussy, and listen to it as a low volume for a couple hours. I knew that the technical specs of my own system kept the speakers from producing the best sound. But it was like seeing a young, beautiful woman right after she wakes in the morning, face fresh and unwashed, free of make-up. It felt more than enough. I could sense her understated elegance, her every gesture, her intoxicating allure.”
Damn, not all analogies are created equal yo.
Also, Cui’s takedown of self-important professors is LOL funny:
“. . . They seem incapable of doing anything but complaining. If the number of mosquitoes dropped one summer, they’d say, My God, the world’s gotten so bad even the mosquitoes can’t adapt. And if the mosquito population boomed, they’d say, Shit, it looks like only mosquitoes can thrive in this world.”
I should stop writing, and start reading, otherwise I’ll be mired in fourth place at year’s end.