Paragraph To Ponder

From Tara Westover’s gripping and sad New York Times best seller:

“I had a thousand dollars in my bank account. It felt strange just to think that, let alone say it. A thousand dollars. Extra. That I did not immediately need. It took weeks for me to come to terms with this fact, but as I did, I began to experience the most powerful advantage of money: the ability to think of things besides money.”

What I’m currently reading.

Do Yourself A Favor

And jumpstart 2019 with some Chinese fiction. Specifically, Ge Fei’s The Invisibility Cloak, translated by Canaan Morse. My first 2019 book, well technically a novella, but I need to round up because Eldest read 44 books in 2018, the Good Wife 20, and the Youngest is reading up a storm since devouring Becoming late last month. Hmm, I wonder if Eldest and Youngest gave me six months of HBO for Christmas to distract me from the printed page #dastardly.

A rising tide raises all boats, so as I try to hang with the fam on the book front, I’m falling further beyond on The New Yorker. Ever catching up is probably hopeless. I’m onto this now, but I digress.

Ge Fei is a Chinese Ian McEwan, who I really, really like. Wonderfully clear; whacked out characters; compelling, suspenseful storylines. It was like spending another few weeks in China.

The back of book overview:

New wealth blossoms in today’s Beijing because everyone is lying to everyone else. Friends use friends, relatives cheat each other, and businessmen steal from one and all. Superficiality is the standard, and Mr. Cui knows it—in fact, he is drowning in it. The rich clients who buy his exquisite custom sound systems know nothing about music; his sister’s family is trying to trick him out of her unused apartment; his best friend takes advantage of and looks down on him. Desperate to escape this poisonous hypocrisy, the quiet artisan stakes his future on a job for a wealthy yet mysterious client who wants “the best sound system in the world.” This man, who has a mansion and an air of thinly concealed brutality, will drag Mr. Cui to the precipice of a new yet dangerous future.”

A central concept is connoisseurship. Unless it’s paired with arrogance, I always enjoy being in the presence of connoisseurs like Mr. Cui, an expert on high end sound systems. At one point, Cui secures a pair of the world’s nicest speakers, but he doesn’t tell his wife:

“Nor did I ever reveal their real value to Yufen. One day I came home from a delivery to find Yufen cleaning the speaker boxes with a goddam steel wood scrubber and White Cat disinfectant. She scrubbed hard to make them ‘look a little newer,’ and even put a huge fucking flowerpot on top of the each box. I almost fainted.”

More on the speakers:

“To keep the speakers in good working order and prevent the sound from deteriorating into fuzziness, I warmed them up once every two weeks or so, usually during the quite hours of the night. I’d pull out a recording of an Italian string quartet’s rendition of Mozart ( my favorite composer to this day), or Walter Gieseking playing Ravel or Debussy, and listen to it as a low volume for a couple hours. I knew that the technical specs of my own system kept the speakers from producing the best sound. But it was like seeing a young, beautiful woman right after she wakes in the morning, face fresh and unwashed, free of make-up. It felt more than enough. I could sense her understated elegance, her every gesture, her intoxicating allure.”

Damn, not all analogies are created equal yo.

Also, Cui’s takedown of self-important professors is LOL funny:

“. . . They seem incapable of doing anything but complaining. If the number of mosquitoes dropped one summer, they’d say, My God, the world’s gotten so bad even the mosquitoes can’t adapt. And if the mosquito population boomed, they’d say, Shit, it looks like only mosquitoes can thrive in this world.”

I should stop writing, and start reading, otherwise I’ll be mired in fourth place at year’s end.

 

 

 

Favoring My Private Self

I learned to write at UCLA. In the early 80s. First in a small Remedial English composition class filled with future professional athletes, and later, in history course after history course. One of the myths we erroneously tell ourselves at places like my employer, a smallish private liberal arts university, is that personalized learning can’t happen at large public universities. I’m living proof that’s not true. Sure, often, those history course discussion sections were lead by doctoral students, but they were outstanding and demanding beginning teachers.

Like marathon training, there are no short cuts in learning to write. Defying conventional wisdom about large, public university professors, my teachers and their assistants bled all over my papers. I paid close attention to their feedback and quickly caught up to my peers. And then continued improving quarter by quarter.

One memorable day in my sophomore year, in a large class on Central America, my professor, E. Bradford Burns, read my name and the title of my essay and said it was one of the three most outstanding in the class.

Stunned is putting it mildly. Wish my dad had been there.

After watching me skate through high school the first eighteen years of my life, he thought I should skip college and go to work for him sweeping floors in the Los Angeles factory he ran. Or join the military. If those harangues were reverse psychology, they worked. To succeed I knew I had to apply myself, and I did.

Another leap forward as a writer came exactly one decade later when, thanks to the encouragement of a young innovative mentor from Stanford, I wrote a 324 page doctoral dissertation in novel-like form. In it, I told the story of an International Studies magnet high school in Southern California. I was the very rare doctoral student who enjoyed the vast majority of the dissertation research and writing process.

As a professor, I’ve published quite a bit, but have not found academic writing gratifying. The whole tree in the forest thing. If only a handful of other egghead professors read it, is it worth it? For better or worse, a decade ago, I cut back and started the humble blog.

Which brings us to the present. My E. Bradford Burns booster shot of confidence has faded a bit. Sometimes I think, if I was a good writer, the humble blog would have a larger readership. In fact, I might have to stop referring to it as the humble blog. More important than assessing how well I write or not is the incontrovertible fact that I enjoy it.

One thing I like about it is that it’s difficult. In particular, I struggle with how to engage people without revealing at least some of my inner landscape. For example, right now, apart from writing a semi-autobiographical novel, I can’t figure out how to meaningfully explore and explain what I’ve been thinking most about—motivation, or what causes us to do the things we do, or more to the point, what causes me to do the things I do, without compromising other people’s and my privacy. I’ve struggled with that since the beginning, and doubt I’ll ever master it. I error on the side of maintaining others’ and my privacy.

That means there’s way more unspoken content between blog posts than within them. When I go four or five days without posting, sometimes I’m out of interesting ideas, but other times, I’m just favoring my private self.

I doubt I’m unique in this regard. Isn’t there more to your thinking than you typically let on? Aren’t you semi-transparent at best? Don’t you struggle with being vulnerable? With trusting others with your innermost thoughts? Aren’t we all icebergs of sorts, with much more going on below the surface than anyone realizes?

Or maybe with you, what you see, is what you get. In which case, I am unique.

 

 

 

 

 

Coffee Is For Closers Only

Most writers, like recreational runners hitting the wall, don’t pace themselves. As a result, they shortchange their readers with uninspiring conclusions.

Evan Osnos, in his lengthy New Yorker expose on Facebook provides us writing mortals with a tour de force example on how to close. Dig his last three pgraphs. So good, let’s take them one at a time beginning with the third to last:

“The caricature of Zuckerberg is that of an automaton with little regard for the human dimensions of his work. The truth is something else: he decided long ago that no historical change is painless. Like Augustus, he is at peace with his trade-offs. Between speech and truth, he chose speech. Between speed and perfection, he chose speed. Between scale and safety, he chose scale. His life thus far has convinced him that he can solve “problem after problem after problem,” no matter the howling from the public it may cause.”

He saves a key insight to the very end—conventional wisdom on Zuckerberg is wrong. Then the Augustus reference reminds the reader of Zuckerberg’s fascination with Roman history nicely explained in the body. Then the three brilliant “Between” sentences which beautifully summarize the three tensions that weave throughout the piece. Then Osnos uses a few of Zuckerberg’s own words to thoughtfully wrap the pgraph.

The penultimate one:

“At a certain point, the habits of mind that served Zuckerberg well on his ascent will start to work against him. To avoid further crises, he will have to embrace the fact that he’s now a protector of the peace, not a disrupter of it. Facebook’s colossal power of persuasion has delivered fortune but also peril. Like it or not, Zuckerberg is a gatekeeper. The era when Facebook could learn by doing, and fix the mistakes later, is over. The costs are too high, and idealism is not a defense against negligence.”

Again, a wonderful payoff for sticking with Osnos to the end, another astute insight about “habits of mind” and the difference between growing a new business and leading a mature one. Instead of a mechanical “tell them what you told them”, Osnos leaves the reader thinking even more deeply. Will Zuckerberg be able to make the pivot Osnos so convincingly argues he must? That question gives the piece a stickiness that a typical “let’s just end this” conclusion never does.

And the last:

“In some sense, the “Mark Zuckerberg production”—as he called Facebook in its early years—has only just begun. Zuckerberg is not yet thirty-five, and the ambition with which he built his empire could well be directed toward shoring up his company, his country, and his name. The question is not whether Zuckerberg has the power to fix Facebook but whether he has the will; whether he will kick people out of his office—with the gusto that he once mustered for the pivot to mobile—if they don’t bring him ideas for preventing violence in Myanmar, or protecting privacy, or mitigating the toxicity of social media. He succeeded, long ago, in making Facebook great. The challenge before him now is to make it good.”

Whew, where to start? A vivid reminder that Zuckerberg and Facebook are in their very early years. Anything is possible. And again, respecting his readers’ intellect by leaving things open-ended, a question, does he have the will? There’s no hand holding, every reader will come to their own conclusion. The “pivot to mobile” phrase is a reminder from the body of the time period when Zuckerberg only took meetings with people if their proposals included ways to grow Facebook on mobile devices. Osnos cleverly uses that anecdote to remind the reader one last time of tremendous challenges facing Zuckerberg. And then the final sentence, which again, leaves the reader wondering, can he make it good.

Give the man a cup of coffee.

Postscript: Not a flattering portrait of Zuckerberg and FB. Increasingly, I wonder, why don’t I delete my FB account?

It’s You And A Bunch Of Parking Lots

The best description of the city of Angels I have ever read. And will probably ever read.

“No matter what you do in L.A., your behavior is appropriate for the city. Los Angeles has no assumed correct mode of use. You can have fake breasts and drive a Ford Mustang – or you can grow a beard, weigh 300 pounds, and read Christian science fiction novels. Either way, you’re fine: that’s just how it works. You can watch Cops all day or you can be a porn star or you can be a Caltech physicist. You can listen to Carcass – or you can listen to Pat Robertson. Or both.

L.A. is the apocalypse: it’s you and a bunch of parking lots. No one’s going to save you; no one’s looking out for you. It’s the only city I know where that’s the explicit premise of living there – that’s the deal you make when you move to L.A. The city, ironically, is emotionally authentic. It says: no one loves you; you’re the least important person in the room; get over it.”

Sigh. Throughout the decade I called L.A. home, no one told me I could have fake breasts and drive a Ford Mustang.

And this very sound advice:

“If you can’t handle a huge landscape made entirely from concrete, interspersed with 24-hour drugstores stocked with medications you don’t need, then don’t move there.”

Wednesday Assorted Links

1. I wouldn’t normally be drawn to an essay titled The Gift of Menopause, but the Times’s preamble drew me in. So glad. Brilliant. Exquisitely written.

2. The Difference Between Being Broke and Being Poor.

3. The Fight for Iowa’s White Working-Class Soul. Is that DJ Byrnes’s future?

4. The Highest Court in the Land. For Richie. Who would dominate.

5A. The specious claims of the “wellness industrial complex” continued. Worshipping the False Idols of Wellness. 5B. Wellness Brands Like Gwyneth Paltrow’s GOOP Wage War on Science.

6. Flat Cokes, Relay Running, and 500 Pages of Notes: A Professor Prepares to Break a Guinness World Record for Longest Lesson. I will not be attending.

Journalism Lives

Two lengthy, extremely well written profiles worth your time if you’re the least bit interested in (1) North Korea and/or (2) marketing.

1. The Untold Story of Otto Warmbier, American Hostage. Unfunny throughout.

2. How Goop’s Haters Made Gwyneth Paltrow’s Company Worth $250 Million. Very funny in places.