Charles could do us all a favor and secure his place in British, if not world history, by dissolving the monarchy.
2. Who do the Duke and Duchess of Sussex think they are? Afua Hirsch explains.
“If the media paid more attention to Britain’s communities of color, perhaps it would find the announcement far less surprising. With a new prime minister whose track record includes overtly racist statements, some of which would make even Donald Trump blush, a Brexit project linked to native nationalism and a desire to rid Britain of large numbers of immigrants, and an ever thickening loom of imperial nostalgia, many of us are also thinking about moving.
From the very first headline about her being “(almost) straight outta Compton” and having “exotic” DNA, the racist treatment of Meghan has been impossible to ignore. Princess Michael of Kent wore an overtly racist brooch in the duchess’s company. A BBC host compared the couple’s newborn baby to a chimpanzee. Then there was the sublimely ludicrous suggestion that Meghan’s avocado consumption is responsible for mass murder, while her charity cookbook was portrayed as somehow helping terrorists.
Those who claim frequent attacks against the duchess have nothing to do with her race have a hard time explaining these attempts to link her with particularly racialized forms of crime — terrorism and gang activity — as well as the fact that she has been most venomously attacked for acts that attracted praise when other royals did them. Her decision to guest-edit British Vogue, for example, was roundly condemned by large parts of the British media, in stark contrast to Prince Charles’s two-time guest editorship of Country Life magazine, Prince Harry’s of a BBC program and Kate Middleton’s at Huffington Post, all of which were quietly praised at the time.
Her treatment has proved what many of us have always known: No matter how beautiful you are, whom you marry, what palaces you occupy, charities you support, how faithful you are, how much money you accumulate or what good deeds you perform, in this society racism will still follow you.”
3. Trump takes credit for decline in cancer deaths. The American Cancer Society says he’s wrong. How long until their funding is cut further?
“The President has a history of proposing to cut funding from the National Institutes of Health’s budget, which includes funding for the National Cancer Institute, an agency that leads, conducts and supports cancer research. The final budgets that Congress approved ended up being more generous than Trump’s proposals.
Florida Congresswoman Debbie Wasserman Schultz wrote on Twitter, in response to Trump, that ‘cancer rates dropped before you took office. Hopefully they keep dropping because Congress rejected your cruel research budgets, which sought billions in CUTS to @NIH and the National Cancer Institute. This is good news despite you – not because of you.'”
And so it goes, in these (dis)United States of America.
“How can we be winners, after all, if there are no losers? . . . What success can there be that isn’t validated by another’s failure? What heaven can there be for us without an eternity in which to relish the impotent envy of those outside its walls?”
Monarchies are whacked; and yet, I find The Crown, the story of Britain’s monarchy, imminently enjoyable. I start each episode; I’m currently through Season 3, episode 7; wondering if it’s the one where the quality will start ebbing ever so slightly. Although a dip seems inevitable, each successive one leaves me more and more wowed. I don’t even think of fast forwarding through any parts of it.
When it comes to viewing pleasure, I did not see many movies in 2019 that rival any random episode of The Crown. And interestingly, it’s an anomaly for the “Golden Age” of television in which the most popular content is dark and edgy*. In contrast, The Crown is the Tim Duncan or Big Fundamental of contemporary television.
The Crown soars because of its writing, it’s cinematography, its music, and its casting. Especially its casting. In particular, Olivia Coleman as the middle aged Queen Elizabeth and Tobias Menzies as Prince Philip are phenomenal.
Only three episodes in the queue. I plan to stretch them out as much as possible to shorten the wait for season four a wee bit.
*rest assured, the Netflix series on the Trump monarchy will be decidedly more dark and edgy
“Harry is marrying up too. He’s marrying up by marrying out — out of long-entwined bloodlines, out of entrenched rituals and hierarchies, out of a lineage as constricted as it is privileged.”
—Margo Jefferson at The Guardian