My Turn to Crime

It’s not my fault. I’ve fallen in with some bad dudes. It started a few years ago when The Sopranos drew me in. Then The Wire. Then Breaking Bad. Now The House of Cards. I should be eligible for a mail order degree in Abnormal Psychology.

What is it about Tony Soprano, Avon Barksdale, Walt, and F.U. that makes it so hard to look away as they leave ruined lives and dead bodies in their wake?

My theory rests on the assumption that I’m a part of the 99% that has a social conscience, but sometimes still wrestles with doing the right thing. At 2a.m., with the streets deserted, we still wait for the red light to turn, but not before imagining going. We get frustrated with people all the time, even irate at times, but we successfully suppress our violent tendencies. We get used to the tension between our better and worse-r selves. And fortunately for society, our better selves almost always win out.

Tony, Avon, Walt, and Frank are the 1% that effortlessly give in to their worse-r selves. Their lives are not complicated by other people’s feelings. Once off the rails, they have zero regrets. On second thought, scratch Tony from that foursome, his earnest therapy sessions with Melfi disqualify him from the truly pathological.

In large part, I think I find these dramas so compelling because I can’t fathom what it would be like to live completely unencumbered by doing the right thing. To not give a single thought to authority, social convention, and the social contract we enter into as drivers while running the light. To not care whether someone lives or not.

There’s another important variable in the equation. For me the gruesome violence is usually just palatable enough because I know they’re fictional dramas. After watching The Wire, I can reason, “That teen drug runner didn’t really die at the hands of the other teen drug runner, because they’re acting.” LIke when watching a play or reading a novel, it helps to know it’s imaginary. In Breaking Bad the innocent kid on the bike in the New Mexico dessert didn’t really die. He’s probably a popular eighth grader somewhere in SoCal.

Could the time I’ve spent with the Mount Rushmore of television criminals have a deleterious effect on my normal, law-abiding self? That’s doubtful because the Good Wife makes me take a powerful antidote to these intense crime dramas every Sunday night. Downton Abbey.

Postscript—Watch this 60 Minutes segment (13:40) on Wolfgang Beltracchi (13:40). Beltracchi, as evidenced by the final exchange which begins at 13:28, has Mount Rushmore criminal potential.

 

Salinger Documentary (2013)

A bevy of blockbuster movies are premiering, but I recommend an under the radar mindbuster. Salinger is an intriguing meditation on literary genius, fame, privacy, and mental illness.

About midway through the lengthy documentary, I became convinced that Salinger was mentally ill. The filmmakers convincingly argue that his WWII military service had an indelible impact on his psyche and his writing. If he knew what the first 48 hours on the ground would have been like, June 6-7, 1944, I wonder if he would have volunteered. He was fortunate to survive the first two days. 

Salinger’s was not a dangerous or violent mental illness. The truth be told, no one is “normal”, most of us suffer from mental abnormalities or quirks of some sort. Salinger’s imaginary characters and families took precedence over his living, breathing family and friends. He only harmed people who competed with his imaginary characters for his attention. When they interfered too much, he banished them from his life.

One form our mental illness takes is thinking accomplished artists or athletes owe us more than their art or public performances. Oddly, more and more people are following public figures on Twitter. Receiving tweets directly from celebrities seemingly deludes people into thinking they’re in some sort of relationship with them. After reading The Catcher in the Rye, many people so identified with Holden Caulfied they felt entitled to know everything possible about his creator. Sometimes to the point where they’d drive to rural New Hampshire and knock on Salinger’s door.

Maybe because people are so desperate for notoriety, they’re offended when someone like Salinger consciously rejects fame. Salinger practiced Zen Buddhism for many years and became an adherent of religious teacher Sri Ramakrishna and Vedanta Hinduism. Fame was another intolerable distraction from the imaginary, literary world he greatly preferred.

How should we live with present and future Salingers, single-minded geniuses whose work isn’t just the most important thing in their life, but the only thing? By leaving them mostly alone to write, to compose music, to draw, to sculpt, to fulfill their specific life purpose.

One additional thought. It was fortunate that Salinger never needed to teach writing at a University because he never could have controlled his affinity for women decades younger than him. He would have kept a few university attorneys employed all by himself.