Wisdom From a Life of Teaching Piano

Behold my favorite teaching essay of recent vintage from the unlikeliest of publications. Thank you Byron Janis for the perfectly timed reminders about what teaching excellence entails. If you teach, coach, or parent, this is a concise treasure trove of insight. He writes:

“To me, the most important challenge a teacher must confront is keeping an open mind. One must convey knowledge and artistry without overpowering a student’s sense of self. That talented ‘self’ can develop only when he or she is not over-taught. One must know when to teach and when not to teach.”

And when to coach and when not to coach. And when to parent and when not to parent. It’s the very rare teacher, coach, or parent who avoids overpowering their students’, athletes’, or sons’ and daughters’ varied senses of self.

“During the course of my instruction Horowitz also made a very important point. ‘You want to be a first Janis—not a second Horowitz.'”

“. . . talented students must be taught that they are not only pianists but artists, and to create, not imitate. They should be shown that inspiration comes from living, experiencing and observing life, the real as well as the imagined.”

Twenty to thirty years ago, schooling in the United States shifted focus to standardization of curriculum, teaching “best practices”, of most everything. Consequently, we don’t foster creativity very well. Not only do the arts suffer, but our culture. Janis’s radical musings point a way forward.