Fascinating essay last week by Don Van Natta, Jr. on the 1973 Billy Jean King-Bobby Riggs “Battle of the Sexes” tennis match that 50 million Americans and I watched on television. I was eleven and still remember it.
Riggs was a masterful hustler who “stayed in the barn” early in high stakes tennis and golf matches, meaning he purposely played well below his potential to lure his opponent and other bettors into a false sense of accomplishment. Then, mid to late match, Riggs would “come out of the barn,” play as well as possible and ultimately win. The art was in the timing.
The most talented, compelling artists almost always appear to be at least partly in the barn. As if they always have another gear or two in reserve. That’s what makes their performances so compelling. My first memory of this phenomenon was probably around the “Battle of the Sexes” when I was awestruck by a televised Dionne Warwick performance. She seemed to be expending about a third of her energy. Here’s just one example from the video archives:
When My Betrothed dances, she’s partly in the barn. And when watching my friend Brian ride his bike, with his rhythmic high cadence, perfectly still body, and oh so steady pace, I think, “Damn, if only it were that easy.”
Lake Center Dive is an immensely talented and stylish, up-and-coming foursome that conveys that “partly in the barn” feeling big time. Dig these examples:
Of course, an individual or group can only make something look effortless when they combine natural talent, intense commitment, and serious preparation.
My Betrothed, Brian, and Lake Center Dive owe people like me, who try to compensate for a lack of talent through extra effort, with a huge debt of gratitude. The rough edges of our extra effort is what makes the truly talented appear so stylish in comparison.