Tag Archives: college writing

“I Often Look Down On Myself”

Posted on by
1

Despite all the distancing, I’ve had many more meaningful interactions with my students this semester than I anticipated. Interactions that have left me feeling sublimely aligned with my life purpose.

I regularly challenge students to focus more on learning processes than outcomes. More specifically, I advise them not to focus on grades too intensely.  I’m not naive as to why so many of them do exactly that—scholarship requirements, good driving discounts, graduate school applications, and parents’ expectations for starters.

And yet, deep down they know their intense focus on grades often compromises their learning. Many still can’t help themselves.

“Why, do you place so much importance on your grades?” I gently probed with one of my first year writers last week during a one-on-one conference. I don’t remember what she said, but I’ll never forget her follow up e-mail.

“You asked me when we last met why I focus so much on my grades. I gave you the first answer to come to mind. I have put a lot of thought into it. I often look down on myself. I have a hard time telling myself, that I’m smart or interesting or pretty. I have a hard time accepting it when others say it’s true. Grades are the way, I can look at myself and say, ‘here in front of you is proof that you are smart, or at least smart enough, and that you can succeed.’ That’s all. Thank you for everything professor.”

I’m the one who should be thanking her for the single most honest, heartfelt explanation for grade anxiety I’ve ever heard.

How Long Will We Slight The Social-Emotional Costs Of On-Line Learning?

Posted on by
2

Thursday, First Year Writing, The Morken Building 131, the first in-person class of the academic year. Students take turns summarizing their first papers about whether one needs, as a Stoic philosopher we read argues, a coherent philosophy of life and a “grand goal of living” to avoid squandering one’s life. They’re smart, so they push back at the suggestion one can neatly plan their life. They talk about some things being outside of our control, like viruses.

If not a coherent philosophy of life, what about guiding principles I wonder. And if so, which ones? They’re not quite ready for subtly, nuance, ambiguity, complexity. That’s why college is four years long. For now at least, I keep those thoughts to myself and just listen.

One student says her mother died in February. Not expecting that, I loose track of what follows, wondering how she died and what would it be like to lose your mom at 17 or 18. She says doing well in school doesn’t matter as much as it did previously.

The students, many who say they struggle with anxiety, have never enjoyed going to class more. Not because of the doofus facilitating things, because they’re famished for friendship. Flat out famished. They linger afterwards, partly to disinfect the tables, but mostly to extend our shared sense of normalcy as long as possible.

The student whose mother died walks up to the front to talk to me. Through my mask I thank her for having the courage to share that news and gently inquire about her mother’s passing. She tells me her mother chose “Death With Dignity” after a lifetime of being severely disabled. And she wanted me to know the paper was really challenging to write, but my sense was, not in a bad way, in an important way. I think it caused her to grieve her mother in a way she hadn’t. She ended up writing her mother a letter and using parts of it to begin her paper.

For those few moments, as her classmates slowly filed out of the room in small groups, she and I shared a human connection that superseded our teacher-student identities. I saw her and heard her in a way that’s utterly impossible on-line.

I am all in on the scientific consensus regarding masks, social distancing, maximizing time outdoors, and washing hands. I am comfortable enough returning to the classroom because my university has done an excellent job preparing for as safe as possible a return to in-person classes. I will not help politicize this public health crisis.

What follows is a non-partisan question, my reference point is the social-emotional health of young people.

If we don’t begin implementing “blended” or “hybrid” teaching methods soon, with at least some in-person instruction, what are the social and emotional costs to friendless students who are not being seen or heard in any kind of meaningful way?

“Teaching” On-Line: A Report From The Front Lines

Posted on by
2

Midway through week 3. In three words, a roller coaster.

Last night the graduate Sociology of Education seminar was a case study of incompetence. When exiting breakout groups I disconnected everyone from everything so we had to scramble to reconnect. For good measure, I added in some pedagogical incompetence by talking too much. One other student saw my blabbing and raised it, and I didn’t know what to do as his classmates, like dominoes, tuned him out one after another.

After class, I retraced my steps and realized the errors of my ways. And so today I was an online teaching rock star, turning off the waiting room, screen sharing, moving between small groups and large with aplomb. I damn well better win the prestigious “Most Improved Zoomer” award, Boomer Division.

I just unplugged from the First Year writers. I forgot to tell them they could jet after they were done peer editing, so they all returned to “office hours”. And they just wanted to hang out, which was cool. They’re a fun subset of the bad luck Covid Class, those 18-19 year olds who missed their high school graduations and have had to start college with electronic teaching hacks like me.

One of them had hilarious background images repeatedly rotating behind him last session. Today, another student did. How long until I lose complete control?

But their daring to be different provided much need levity. They’re not just funny, but resilient, still in good spirits despite “the invisible enemy which no one could’ve seen coming”. After shooting the breeze a bit, I had to tell them it was 72 degrees outside and sunny for one of the last times in a long time. I pleaded with them to “go outside and toss a frisbee.”

Thursday, we’re meeting in-person for the first time. Glory hallelujah.

There Should Be A Medal

Posted on by
3

The most extraordinary, ordinary thing happened to me recently.

A former student, a career changer, early fiftyish former draftsperson, wrapping up his third year teaching English/Language Arts at a local high school, contacted me.

After a long school day in the middle of May, he tucked his students’ essays under his arm, got in his car, and instead of driving home, headed to my university office. He wanted my help better preparing his students for college level writing. He admitted he wasn’t doing a good job teaching writing and didn’t really know how to improve.

He deserves a medal of some sort for a trifecta of positive attributes that are a powerful formula for self improvement writ large. Not just self improvement, a foundation for strengthening the common good.

1) Self-compassion. His starting point was the essence of this NYT essay:

‘I’m an imperfect human being living an imperfect life.’

2) Selflessness. He cares deeply about his students. So much so he wants to increase their odds of success in college, and in turn, life.

3) Initiative. 999 out of 1,000 high school English teachers are content not really knowing if they’re doing their best to prepare their students for college level writing. They have lots of other, more pressing things to do after work.

self-compassion + selflessness + initiative = personal growth

We had a great conversation despite my being distracted by two things. First, I was struck by the fact that college writing is a topic I know a lot about. That was a nice realization, because like most people I suspect, sometimes I wonder if I have any expertise.

Second, I was distracted by the realization that I don’t do what my fellow educator was modeling so powerfully. I have a lot of acquaintances and friends who are way more knowledgeable about and/or skilled in areas I’d like to learn more about and/or improve, yet I never ask them if they’d be up to teaching me.

Why is that? There are lots of possibilities. Maybe I’m not secure/vulnerable enough to embrace my imperfections. Or maybe I’m too lazy a sad sack (how’s that for self compassion). Or most likely, despite how much I enjoyed helping my former student, I just don’t want to impose on them.

I’m not alone. Most people pay experts for specialized knowledge and skills or watch “Do It Yourself” YouTube tutorials. The person who asks a friend or acquaintance to teach them something they don’t know is the wonderful exception to how most of us approach life.

 

An Open Letter to High School Teachers Continued

Posted on by
2

With last post’s “struggling first year college writer” typology in mind, here are five suggestions—from the abstract to the more specific—for helping increase the odds that high schoolers will succeed in writing-intensive college courses.

1) Talk with students about why writing well matters. There’s an ongoing debate in education between business first people who believe schooling is about equipping students with marketable job skills and business skeptics who prioritize things like self understanding, multicultural understanding, and human betterment writ large. Writing is a skill that both groups find valuable for different reasons—one mostly utilitarian, the other humanitarian. I implore high school teachers of all subjects to impress upon students that we’re more than mindless consumers passively participating in a global economic race. We’re social beings for whom human intimacy and friendship make life worth living. I want my first year college writing students to understand and appreciate the potential of writing to connect with others and create community. I want them to understand that writing well is imminently helpful in the job market, but can also foster greater self understanding. It can help one earn a living and live well.

2) Teach students to fixate on continuous improvement, not grades. I want my first year writing students to embrace writing as a process and fixate on continuous improvement, not grades. Many things conspire against this including scholarship eligibility requirements, graduate school anxiety, and years of family and school socialization. Students who repeatedly receive poor grades often throw in the towel on ever being competent writers. The flip-side problem is never talked about, students who routinely receive “A’s” on papers understandably come to think “A” stands for “I’ve Arrived.” Every writer likes having their strengths highlighted. Even when earning “A’s”, my most accomplished writers greatly appreciate having their “next steps” identified sometimes for the first time. As writers we exist on a continuum. We never arrive. The goal isn’t to get “A’s” on every paper, it’s to improve and take steps towards becoming more “accomplished.

3) Teach substantive, challenging content. The more deeply students have to think, the greater their momentum as writers.

4) Assign writing regularly and provide as much feedback as possible. To improve as writers, students have to write, and not just in English Composition classes. Think of writing as “organized, public thinking,” an activity best done across the curriculum. My college-aged daughter’s favorite high school teacher was the one who assigned the most writing and provided the most detailed feedback. My daughter deeply appreciated the fact that her teacher was putting in considerably more time than average helping her classmates and her become more capable writers. Teacher leaders should help others with time-saving strategies including rubric-based self-assessment, peer editing, and providing detailed feedback on a rotating subsection of the total number of students.

5) Provide and teach exemplary models of excellent writing. Criticism of the five-paragraph essay masks the fact that published writing within each genre has identifiable patterns and themes. Put differently, readers within genres come to expect certain forms. A writer’s creativity and voice are most evident at the phrase, sentence, and paragraph level. Students benefit greatly from seeing and studying especially clear writing, whether a peer’s or a professional’s. The most basic question to ask when analyzing positive examples of writing is, “Why does this piece work so well?” And then, once the elements have been identified, provide students with time to practice incorporating them into their writing.

Hope something here is motivating. Thanks for all you do and for reading.

An Open Letter to High School Teachers

Posted on by
4

During Saturday morning’s 16-mile run, the high school princiPAL asked me to write his faculty about what they can do to increase the odds that their college-bound students are successful once at their universities of choice. Happy to, but I should note from the outset that I’ve massaged the request by focusing more exclusively on how to help the college bound improve as writers—a critical component to succeeding in college.

A confession. The following typology of first year students who struggle with the transition to college-level writing is an exercise in pre-writing, an incomplete, initial draft. Consider this a sneak-peak at my process. In the final draft, which needs to be framed positively, I’ll focus on what high school teachers might do to help college-bound students succeed in writing intensive courses.

Some background. I was a high school social studies teacher for five years—four in Los Angeles and one in Ethiopia. I teach graduate pre-service teachers and first year writing seminars. It’s my Writing 101 teaching that informs what follows. More specifically, I’ve taught first year writing seminars at two liberal arts colleges over the last two decades on changing themes of my choosing including: Globalization; Reinventing the American High School; The Challenges and Rewards of Teaching; and currently, The Art of Living.

Here are five first year college student types that often struggle with the transition to college writing:

1) “Inflated Sense of Skills” student—This predicament is most common among students who graduated from high schools marked by serial absenteeism; unfinished, late student work; and missing assignments. Quite often, given the informal “not everyone can fail” grading curve at work in these schools, students who complete their work on time end up receiving very good marks without much attention to the quality of the work. These students develop identities as “A” students; consequently, it’s disorienting when they receive lower grades on their initial college papers. It’s difficult for these students to quickly adjust from being ahead of their high school peers to being behind their university ones who attended more rigorous high schools.

2) “Five Paragraph, Standardized Essay Exam” student—These students, who tend towards concrete-sequential thinking, have committed the standard five paragraph essay form to heart. They have become so adept at the five-paragraph essay—a thesis, three main points, three supporting details—that they think of writing as a “fill in the blanks” activity. As a result, their writing lacks voice and fails to engage readers.

3) “Grade Fixation” student—These students view writing like everything else school-related, as a no holds barred competition. The single-minded goal is to earn the highest possible grade on each individual paper. They resist the notion that writing is a process requiring continuous editing and they have an aversion to feedback. Continuous improvement is less important than earning “A’s”. These students tend to dislike writing.

4) “Narrow Repertoire” student—These students let it be known early on that they “love creative writing” and “dislike doing research papers”. Or less often, “love doing research papers” and “dislike creative writing”. Preferred forms are completely understandable, but these students’ sensibilities about their writing strengths and next steps are far too fixed.

5) “Interpersonally Challenged” student—These students struggle to interact thoughtfully with their classmates. They don’t listen attentively to others and/or maintain consistent eye-contact with whomever is speaking. Sometimes they talk over others and dominate discussions to the point that the other students eventually tune them out. As a result, these students fail to earn the respect of their classmates and don’t fully benefit from peer editing.

Stay tuned. By reflecting on this typology I’ll come up with what high school teachers might do to help college-bound students succeed in writing intensive courses.