What I’m reading. Janesville by Amy Goldstein. What happens to a place when a majority of people work for an automaker that closes shop? When people used to earn $28/hour with some overtime and now make somewhere between $0 and $16/hour. Here’s a part of the answer:
“In the shadows of town, hundreds of teenagers are becoming victims of a domino effect. These are kids whose parents used to scrape by on jobs at Burger King or Target or the Gas Mart. Now their parents are competing with the unemployed autoworkers who used to look down on these jobs but now are grasping at any job they can find. So, as middle-class families have been tumbling downhill, working-class families have been tumbling into poverty. And as this down-into-poverty domino effect happens, some parents are turning to drinking or drugs. Some are leaving their kids behind while they go looking for work out of town. Some are just unable to keep up the rent. So with a parent or on their own, a growing crop of teenagers is surfing the couches at friends’ and relatives’ places—or spending nights in out-of–the-way spots in cars or on the street.”
Robert Putnam on Janesville,
“Reflecting on the state of the white working class, J.D. Vance’s Hillbilly Elegy focuses on cultural decay and the individual, whereas Amy Goldstein’s Janesville emphasizes economic collapse and the community. To understand how we have gotten to America’s current malaise, both are essential reading.”
On deck. In the hole.
Shifting to thinking, I’m thinking about how artists talk about becoming artists and the implications of that for parents, teachers, and coaches. How do parents, teachers, and coaches cultivate true artistry or other specialized forms of expertise in young people? Specialized expertise that might enable them to independently make a living in the new economy. My thoughts are still in the subconscious primordial ooze phase, but I trust they’ll settle in some sort of coherent pattern sometime soon.
In short, here’s what I don’t hear artists say, “I took this really great class in school.” Instead, musicians for example, almost always say, “My parents were always playing the coolest music.” The word I keep returning to is “milieu” or social environment. In this data obsessed age, we’re utterly lacking in sophistication when it comes to the cumulative effective of the environments young people inhabit. Granted, formal schooling, think Juilliard for example, can contribute to artistic excellence, but meaningful learning is mostly the result of osmosis outside of school.
How do some families, in the way they live day-to-day, foster specialized expertise in children almost by accident, whether in the arts, academics, cooking, design, computers, or athletics? What can educators learn from those families to reinvent formal academic settings? What might “osmosis-based” schools look like? Schools where students watch adults actively engaged in learning and get seriously caught up in the fun.