The Humanities Are Not Dead

In recent years the humanities have been the Phoenix Suns; the Miami Marlins; the Arizona Cardinals; the Theresa May; the Sears, Roebuck, and Company, of the academy.

Science sexy. Technology steamy. Data analysis super hot. Religion, art history, English literature, philosophy, decidedly unsexy.

Partially due to the escalating costs of a university education, “What is the ROI—return on investment?” has replaced universal questions about the purposes of life and a life well lived that are the lifeblood of the humanities.

That is the context in which I read this Kara Swisher New York Times commentary titled “Is This the End of the Age of Apple?

Swisher touches upon Apple’s recent struggles and asks:

“Where is the next great boom of innovation going to come from, when even the strongest brands and products might not be sure things anymore?”

She contends:

“Now all of tech is seeking the next major platform and area of growth. Will it be virtual and augmented reality, or perhaps self-driving cars? Artificial intelligence, robotics, cryptocurrency or digital health? We are stumbling in the dark.”

She concludes by imploring:

“We need the next wave of innovation, and we need it now.”

Only if we concede to our President that everything is transactional and deem the humanities completely irrelevant, should we conclude we’re stumbling in the dark because a high profile technology company is struggling. As I write, Swisher has inspired 1,105 comments.

Dig the top rated one, as determined by New York Times readers, by “Childofsol” who resides in Alaska:

“No. What we definitely do not need is more technological innovation in the world of things. How about this: What would truly be innovative, is to develop an economy that isn’t based on endless growth and the mindless consumption that endless growth entails. We need to become a country that values its citizens, as evidenced by clean air and water, the right to health care, and the right to retirement security. A culture which reverses its headlong rush into ever-faster everything, and celebrates the art of living in harmony with the environment which supports us. That’s the kind of innovation we could use more of.”

Or the silver medal comment by “Berk” in Northern California:

“’Where is that next spark that will light us all up?’” A fantastic, memorable vacation? A good story? A great meal with friends? A walk in the woods on a crisp fall day? Experiences, not things.”

All of the top rated comments are similar. Clearly, if we can generalize from New York Times readers even a little, there’s serious skepticism about mindless technology. And a longing for some semblance of balance where the humanities rise from the mat before the quants hurriedly count to eight and declare a technical knockout.

That is heartening.

 

 

Favoring My Private Self

I learned to write at UCLA. In the early 80s. First in a small Remedial English composition class filled with future professional athletes, and later, in history course after history course. One of the myths we erroneously tell ourselves at places like my employer, a smallish private liberal arts university, is that personalized learning can’t happen at large public universities. I’m living proof that’s not true. Sure, often, those history course discussion sections were lead by doctoral students, but they were outstanding and demanding beginning teachers.

Like marathon training, there are no short cuts in learning to write. Defying conventional wisdom about large, public university professors, my teachers and their assistants bled all over my papers. I paid close attention to their feedback and quickly caught up to my peers. And then continued improving quarter by quarter.

One memorable day in my sophomore year, in a large class on Central America, my professor, E. Bradford Burns, read my name and the title of my essay and said it was one of the three most outstanding in the class.

Stunned is putting it mildly. Wish my dad had been there.

After watching me skate through high school the first eighteen years of my life, he thought I should skip college and go to work for him sweeping floors in the Los Angeles factory he ran. Or join the military. If those harangues were reverse psychology, they worked. To succeed I knew I had to apply myself, and I did.

Another leap forward as a writer came exactly one decade later when, thanks to the encouragement of a young innovative mentor from Stanford, I wrote a 324 page doctoral dissertation in novel-like form. In it, I told the story of an International Studies magnet high school in Southern California. I was the very rare doctoral student who enjoyed the vast majority of the dissertation research and writing process.

As a professor, I’ve published quite a bit, but have not found academic writing gratifying. The whole tree in the forest thing. If only a handful of other egghead professors read it, is it worth it? For better or worse, a decade ago, I cut back and started the humble blog.

Which brings us to the present. My E. Bradford Burns booster shot of confidence has faded a bit. Sometimes I think, if I was a good writer, the humble blog would have a larger readership. In fact, I might have to stop referring to it as the humble blog. More important than assessing how well I write or not is the incontrovertible fact that I enjoy it.

One thing I like about it is that it’s difficult. In particular, I struggle with how to engage people without revealing at least some of my inner landscape. For example, right now, apart from writing a semi-autobiographical novel, I can’t figure out how to meaningfully explore and explain what I’ve been thinking most about—motivation, or what causes us to do the things we do, or more to the point, what causes me to do the things I do, without compromising other people’s and my privacy. I’ve struggled with that since the beginning, and doubt I’ll ever master it. I error on the side of maintaining others’ and my privacy.

That means there’s way more unspoken content between blog posts than within them. When I go four or five days without posting, sometimes I’m out of interesting ideas, but other times, I’m just favoring my private self.

I doubt I’m unique in this regard. Isn’t there more to your thinking than you typically let on? Aren’t you semi-transparent at best? Don’t you struggle with being vulnerable? With trusting others with your innermost thoughts? Aren’t we all icebergs of sorts, with much more going on below the surface than anyone realizes?

Or maybe with you, what you see, is what you get. In which case, I am unique.

 

 

 

 

 

Coffee Is For Closers Only

Most writers, like recreational runners hitting the wall, don’t pace themselves. As a result, they shortchange their readers with uninspiring conclusions.

Evan Osnos, in his lengthy New Yorker expose on Facebook provides us writing mortals with a tour de force example on how to close. Dig his last three pgraphs. So good, let’s take them one at a time beginning with the third to last:

“The caricature of Zuckerberg is that of an automaton with little regard for the human dimensions of his work. The truth is something else: he decided long ago that no historical change is painless. Like Augustus, he is at peace with his trade-offs. Between speech and truth, he chose speech. Between speed and perfection, he chose speed. Between scale and safety, he chose scale. His life thus far has convinced him that he can solve “problem after problem after problem,” no matter the howling from the public it may cause.”

He saves a key insight to the very end—conventional wisdom on Zuckerberg is wrong. Then the Augustus reference reminds the reader of Zuckerberg’s fascination with Roman history nicely explained in the body. Then the three brilliant “Between” sentences which beautifully summarize the three tensions that weave throughout the piece. Then Osnos uses a few of Zuckerberg’s own words to thoughtfully wrap the pgraph.

The penultimate one:

“At a certain point, the habits of mind that served Zuckerberg well on his ascent will start to work against him. To avoid further crises, he will have to embrace the fact that he’s now a protector of the peace, not a disrupter of it. Facebook’s colossal power of persuasion has delivered fortune but also peril. Like it or not, Zuckerberg is a gatekeeper. The era when Facebook could learn by doing, and fix the mistakes later, is over. The costs are too high, and idealism is not a defense against negligence.”

Again, a wonderful payoff for sticking with Osnos to the end, another astute insight about “habits of mind” and the difference between growing a new business and leading a mature one. Instead of a mechanical “tell them what you told them”, Osnos leaves the reader thinking even more deeply. Will Zuckerberg be able to make the pivot Osnos so convincingly argues he must? That question gives the piece a stickiness that a typical “let’s just end this” conclusion never does.

And the last:

“In some sense, the “Mark Zuckerberg production”—as he called Facebook in its early years—has only just begun. Zuckerberg is not yet thirty-five, and the ambition with which he built his empire could well be directed toward shoring up his company, his country, and his name. The question is not whether Zuckerberg has the power to fix Facebook but whether he has the will; whether he will kick people out of his office—with the gusto that he once mustered for the pivot to mobile—if they don’t bring him ideas for preventing violence in Myanmar, or protecting privacy, or mitigating the toxicity of social media. He succeeded, long ago, in making Facebook great. The challenge before him now is to make it good.”

Whew, where to start? A vivid reminder that Zuckerberg and Facebook are in their very early years. Anything is possible. And again, respecting his readers’ intellect by leaving things open-ended, a question, does he have the will? There’s no hand holding, every reader will come to their own conclusion. The “pivot to mobile” phrase is a reminder from the body of the time period when Zuckerberg only took meetings with people if their proposals included ways to grow Facebook on mobile devices. Osnos cleverly uses that anecdote to remind the reader one last time of tremendous challenges facing Zuckerberg. And then the final sentence, which again, leaves the reader wondering, can he make it good.

Give the man a cup of coffee.

Postscript: Not a flattering portrait of Zuckerberg and FB. Increasingly, I wonder, why don’t I delete my FB account?

It’s You And A Bunch Of Parking Lots

The best description of the city of Angels I have ever read. And will probably ever read.

“No matter what you do in L.A., your behavior is appropriate for the city. Los Angeles has no assumed correct mode of use. You can have fake breasts and drive a Ford Mustang – or you can grow a beard, weigh 300 pounds, and read Christian science fiction novels. Either way, you’re fine: that’s just how it works. You can watch Cops all day or you can be a porn star or you can be a Caltech physicist. You can listen to Carcass – or you can listen to Pat Robertson. Or both.

L.A. is the apocalypse: it’s you and a bunch of parking lots. No one’s going to save you; no one’s looking out for you. It’s the only city I know where that’s the explicit premise of living there – that’s the deal you make when you move to L.A. The city, ironically, is emotionally authentic. It says: no one loves you; you’re the least important person in the room; get over it.”

Sigh. Throughout the decade I called L.A. home, no one told me I could have fake breasts and drive a Ford Mustang.

And this very sound advice:

“If you can’t handle a huge landscape made entirely from concrete, interspersed with 24-hour drugstores stocked with medications you don’t need, then don’t move there.”

Wednesday Assorted Links

1. I wouldn’t normally be drawn to an essay titled The Gift of Menopause, but the Times’s preamble drew me in. So glad. Brilliant. Exquisitely written.

2. The Difference Between Being Broke and Being Poor.

3. The Fight for Iowa’s White Working-Class Soul. Is that DJ Byrnes’s future?

4. The Highest Court in the Land. For Richie. Who would dominate.

5A. The specious claims of the “wellness industrial complex” continued. Worshipping the False Idols of Wellness. 5B. Wellness Brands Like Gwyneth Paltrow’s GOOP Wage War on Science.

6. Flat Cokes, Relay Running, and 500 Pages of Notes: A Professor Prepares to Break a Guinness World Record for Longest Lesson. I will not be attending.

Journalism Lives

Two lengthy, extremely well written profiles worth your time if you’re the least bit interested in (1) North Korea and/or (2) marketing.

1. The Untold Story of Otto Warmbier, American Hostage. Unfunny throughout.

2. How Goop’s Haters Made Gwyneth Paltrow’s Company Worth $250 Million. Very funny in places.

Too Smart For Own Good

Near the very end of Claire Cain Miller’s New York Times story, “When Wives Earn More than Husbands, Neither Partner Likes to Admit It”, there’s a powerful illustration of why academic writing often sucks.

Consider two of the last few sentences. First Cain Miller’s clear, specific, easily comprehensible one:

“. . . . Women who outearned their husbands were more likely to seek jobs beneath their potential, they found, and to do significantly more housework and child care than their husbands — perhaps to make their husbands feel less threatened.”

Immediately followed by Marianne Bertrand’s, a University of Chicago Business professor, attempting to communicate the exact same idea:

“‘When the gender norm is violated, there is some compensating behavior to try to undo some of the utility loss experienced by the husband.”

That contrast is the problem of academic writing in a nutshell.

Bertrand’s use of more sophisticated vocabulary, “gender norm is violated”, “compensating behavior”, and “utility loss” muddies more than it illuminate’s Cain Miller’s previous point. It would be nice if doctoral economics programs, no make that doctoral programs of all sorts, required a class in journalism.

Academics would be well advised to follow Chimamanda Ngozi Adichie’s advice to her writing students.

“She tells them to avoid inflated language—’never purchase when you can buy.'”

Amen to that.

A Reading From the Book of St. Don

A confession. Sometimes when I add “LOL” onto a text message, I’m not LLOL (literally laughing out loud). However, this satirical essay by George Saunders, one of the best examples of satirical writing anyone has ever written, since the beginning of time, including probably, you know Napoleon or whoever, left me LLOL multiple times.