The move is 95% complete, meaning apart from my fancy pants $10 pen and running gloves, I can find most things most of the time. It also means I’m piecing my routines back together, including the morning green tea latte and the evening viewing of Grand Design.
Taking stock of everything we own has inspired lots of thinking. In particular, taking stock of our photographs and related mementos of people and experiences. I can’t help but wonder, why are we so insistent on taking, storing, framing, and otherwise archiving so many pictures? More simply, why does the past have such a hold on us?
Positive psychologists keep telling us that meaningful relationships with family and friends is the key to happiness. I wonder, do the seemingly endless images, photographs, and related memorabilia of people from our past, whether alive or not, constitute some sort of community? I’d be more inclined to think that they represent some sort of social capital, if we looked at them and talked about them with some regularity, but we don’t because we have way too many. Most of them are out of sight and mind all of the time.
And I wonder if there’s an opportunity cost to nostalgia for the past. I’ve wondered this for at least 15 years, about the time I started going to my childrens’ recitals and school plays. Inevitably, many of my peers arrived armed with tri-pods and the smallest, newest video players, working hard to record the events to the best of their abilities. Sometimes I thought those events were pretty grueling live, and couldn’t imagine gathering friends and family to watch them again at a later date. Watching legions of amateur videographers made me wonder if you can be fully present when in “recording” or “documenting” mode?
There’s also an opportunity cost to the ease of digital storage today. An author of a recently released book states that U.S. citizens take more pictures in two minutes than were taken by everyone in the world in the 19th century. The end result, is endless hours of video and tens of thousands of images that make any one minute of video or any particular image much less valuable. We’re left with no needles, just digital haystacks.
I’m always skeptical of wildly popular trends, and mindfulness is getting close to qualifying, but I’m down with it because it’s main emphasis is on being fully present, meaning not living in the past or future, which of course sounds much easier than it is. What if we were to delete some of our images we haven’t looked at for years or chuck entire photo albums from the 1980s? Could it help us be more mindful, more present with those we will interact with today?
Ultimately, I suspect our penchant for photography and videography are manifestations of our fear of being alone and of dying someday. If I’m right, as we age, those impulses will intensify. But taking more pictures won’t extend our lives, so I’m going to swim against the status quo current. I’m going to take fewer pictures to both appreciate them more and be more mindful.
I’m not trying to convince you to join me in taking and storing fewer pictures. Like a lot of what I write, I could have this all wrong. Maybe my minimalist tendencies are getting the best of me. Maybe you’ll end up convincing me that I need to stop with the incessant questions and get a lot more snap happy.
